You can now
book online

+44(0)20 8742 3355
info@martinrandall.co.uk
e-News

If you would like to receive periodic updates and news, please send us your e-mail address:

submit

The Art History of Venice

THE ART AND ARCHITECTURE OF LA SERENISSIMA

  • For Friends of the RA
  • Private after-hours visit to the Basilica of San Marco
  • The opportunity to enjoy the art and architecture of Venice without the crowds of busier months
  • Smaller than average group size (maximum 17 participants)
The Art History of Venice

For the world's most beautiful city, Venice had an inauspicious start. The site was once merely a collection of mudbanks, and the first settlers came as refugees fleeing the barbarian destroyers of the Roman Empire. They sought to escape to terrain so inhospitable that no foe would follow.

The success of the community which arose on the site would have been beyond the wildest imaginings of the first Venetians. By the end of the Middle Ages Venice had become the leading maritime power in the Mediterranean and possibly the wealthiest city in Europe. The shallow waters of the lagoon had indeed kept her safe from malign incursions and she kept her independence until the end of the eighteenth century. ‘Once did she hold the golden East in fee, and was the bulwark of the west, Venice, eldest child of liberty.’

Trade with the East was the source of that wealth and power, and the eastern connection has left its indelible stamp upon Venetian art and architecture. Western styles are here tempered by a richness of effect and delicacy of pattern which is redolent of oriental opulence. It is above all by its colour that Venetian painting is distinguished. And whether sonorous or poetic, from Bellini through Titian to Tiepolo, there remain echoes of the transcendental splendour of the Byzantine mosaics of St Mark’s.

That Venice survives so comprehensively from the days of its greatness, so little ruffled by modern intrusions, would suffice to make it the goal of everyone who is curious about the man-made world. Thoroughfares being water and cars non-existent, the imagination traverses the centuries with ease. And while picturesque qualities are all-pervasive – shimmering Istrian limestone, crumbling stucco, variegated brickwork, mournful vistas with exquisitely sculpted details – there are not half-a-dozen cities in the world which surpass Venice for the sheer number of major works of architecture, sculpture and painting.

Venice in winter has one overwhelming advantage over other seasons: fewer tourists. With most of the noisy, gaudy trappings of the tourist industry packed away, with the crush of trippers reduced to a trickle of art lovers, the beauties of the city are more readily appreciated, and the sense of her past greatness even more captivating.

There may be rain, there will probably be morning mists and it will be overcast for at least some of the time, but equally likely are days of unbroken sunshine and brilliant blue skies, with a wonderful clarity in the air never experienced in warmer months.


AITO
ATOL AITO
MARTIN RANDALL TRAVEL LTD
Voysey House, Barley Mow Passage
London W4 4GF, United Kingdom
Telephone: +44 (0)20 8742 3355