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The London Haydn Quartet was born out of a passion for Haydn’s string quartets. Performing on gut strings and with classical bows, authenticity of sound is a central feature of their performances. They have recently performed their own complete cycles of Haydn quartets in addition to concerts at Carnegie Hall, Wigmore Hall and at the Cheltenham International Festival. They took part in the ten days of Haydn at the Castle in 2009.
Clarinettist Eric Hoeprich is a founding member of Frans Brüggen’s Orchestra of the 18th Century and has performed with many of the major early music ensembles. He has recorded the Mozart clarinet quintet with the London Haydn Quartet. Principal viola of some of the world’s leading orchestras and veteran of the chamber music world, Steven Dann joins the quartet (from Toronto) to perform Mozart’s three string quintets.
The musical friendship between Mozart and Haydn was of great significance both to the composers themselves and to the history of music; nowhere is this more apparent than in Mozart’s string quintets and Haydn’s string quartets. Both composers played in the first performance of the quintets. These programmes aim to illuminate the musical dialogue that took place on many levels.
www.londonhaydnquartet.co.uk
A Music Weekend arranged by Martin Randall Music Management is a very special experience. There is the pleasure, first, of hearing music performed by musicians of the highest calibre, artists who are among the very best in their fields. Many come from mainland Europe and America.
Second, the music is played in an intimate setting, a small hall little bigger than a large drawing room – just the sort of size which composers used to have in mind for chamber music. The audience is rarely more than a hundred and often fewer, and consists mainly of those who stay throughout the weekend and attend all four concerts. Some tickets for individual concerts are also sold locally.
Third, the weekends are based at hotels, The Castle at Taunton and Jesmond Dene House at Newcastle, which rank among the finest in England. Both are famous for comfort, character, and both have award-winning restaurants. We have exclusive use of the hotels during these music weekends, and there is opportunity for artists and audience to mingle throughout the weekend.
While these events are undeniably indulgent and leisurely retreats, they are also intended to stimulate the mind and enchant the aesthetic sensibilities. Within an over-arching theme, the music is carefully chosen and programmed to provide an illuminating sequence – while each concert is satisfyingly self-sufficient. Some weekends include pre-concert lectures, and musicians often talk as well.
Literary weekends, introduced at The Castle in 2009, follow a similar format, with five or six highly distinguished writers in a particular field giving talks and leading discussions. For the November 2010 slot we have gathered some of the finest historians in Britain.
The price for the weekend packages covers almost everything, from the concerts themselves to interval drinks, via luxurious accommodation and memorable dinners. Even gratuities for hotel staff are included.
There have been music weekends at The Castle since 1977, and Martin Randall Music Management have been organising them since 2003. The weekend at Jesmond Dene House in March 2011 will be their first.

The total ambience is unique. The comfort and non-hurried pace enabled a relaxed attention at the concerts.
Inspiring in every way.
A first class 48 hours with good company.
Each concert was a learning experience with a heightened appreciation of the music. I thought the playing was delightful and so personal in the intimate atmosphere of the Monmouth Room.
No praise can be too high. Haydn as we have never heard him before. What a wonderful combination of scholarship, skill and sensitivity 