With clocks, organs were the most complex of mechanical instruments developed before the Industrial Revolution. As such they were a source of awe and admiration far beyond musical cognoscenti and their makers often enjoyed a level of fame greater than the musicians who played them.

The greatest of the composers for the organ, Johann Sebastian Bach, had the good fortune to live at a time and in a place where organ-building reached a peak of excellence which perhaps has never been surpassed. This was not entirely coincidence: interaction between players and makers was an important element in refining the skills of both sides.

The most famous of these organ builders was Gottfried Silbermann. He was born the son of a carpenter in the mountainous backwoods of Saxony in 1683, gained an almost monopolistic grip on keyboard manufacturing in the region and died a rich man in 1753. Nearly thirty of his fifty Saxon organs survive, some very nearly in original condition. They are famous – and always were – for their distinctive sounds, from the silver flutes to the strong and characterful 16’ Posaune in the pedal.

Other organ builders whose work we see and hear on this tour include Zacharias Hildebrandt (1688–1757), an apprentice and later a rival of Silbermann, and Heinrich Gottfried Trost (c.1680–1759). All had some sort of collaborative or critical relationship with JS Bach.

This tour selects some of the finest instruments in a region exceptionally richly endowed with historic organs. Many are located in village churches far from cathedral or court, leading the visitor through terrain which is rural and remote. None on this itinerary are in large cities, and most of the towns visited have wonderfully picturesque historic centres. Some organs have been hardly altered since they were built.

The tour is accompanied by organist James Johnstone, who performs regularly in Europe and America and who has won several prizes for his CD recordings.

The eight included recitals are exclusive to this group and twenty to thirty minutes long, performed by James Johnstone or the local organist. The maximum number of participants is limited to thirty two.