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Friuli-Venezia Giulia - The Border Lands of Northeast Italy
- A wide variety of Italian art and architecture: Roman, Byzantine, Gothic, Renaissance, Palladian.
- Tiepolo is a predominant theme and the tour is based in Udine where he worked early in his career.
Cividale by F. Hamilton Jackson 1906.
Cumbersome by name, complex by history, the region of Friuli–Venezia Giulia is tucked within the north-eastern borders of Italy and bound by Austria, Slovenia, the Veneto and the Adriatic. Much of the region was ceded to Italy by Austria only after the First World War; a border dispute with Yugoslavia rumbled into the 1970s. Understandably, it is marked by variety – ethnic, linguistic, cultural, gastronomic and topographical.
The south and centre consists of a broad alluvial plain whose glistening fecundity is fed by rivers descending from the Julian Alps and the Dolomites. The mediating foothills produce some of the finest white wines in the world. Populous and prosperous, there are many towns with historic kernels where virtually every period of Italian art and architecture is represented, from Roman to modern. Some of the early mediaeval buildings are particularly striking and important – Aquileia, Grado and Cividale.
There is much fine Renaissance painting and architecture: Palladianism was the dominant creed for a couple of centuries after Palladio’s death, and in addition to painters who established themselves in Venice there are several lesser-known figures of talent who are not well known outside the region. Painting reached another climax in the eighteenth century as Tiepolo spent the years of his early maturity in Udine.
Udine is the base for the tour. A lively city, it has an extensive historic centre with a succession of enchantingly picturesque streets and squares and a central piazza as fine as almost any in Italy. The other big city visited is Trieste, for centuries the principal Austro-Hungarian outlet to the sea and one of the most important ports in the Mediterranean.