This website may ask your browser to store cookies. See our Cookies Policy for more information about our use of cookies.

Back to previous page

Opera in Vienna - Wagner, Strauss & Strauss

Salome (R. Strauss), Lohengrin (Wagner), Der fliegende Holländer (Wagner), Die Fledermaus (J. Strauss II).

Productions of the highest quality in both the Staatsoper and Volksoper.

Based at a venerable and very comfortable five-star hotel perfectly located beside the Staatsoper.

Print itinerary

  • Vienna, Theater an der Wien, late-19th-century wood engraving.
Navigate tour


Not content with being the most important city in the history of western music, Vienna continues to nurture an exceptionally active cultural life of a high level of excellence. Music and opera are cherished (and paid for) by government and citizens perhaps more than anywhere else in the world.

Vienna is notoriously wedded to tradition, but the Staatsoper’s productions are now more likely than ever before to reflect international currents in stage direction. As ever, stagecraft, stage design and dramatic portrayal are of the highest order, and the house continues to attract the world’s finest singers and conductors. And of course it enjoys the supreme skills and sumptuous sound of the Vienna Philharmonic, the orchestra in residence. Highly sophisticated audiences and critics give no quarter to complacency or laziness; opera at the Staatsoper is a fairly safe bet. The Volksoper, one of the city’s other great institutions and the spiritual home of operetta (though it stages a wide repertoire), has a new artistic director this season, and is once again an exciting venue.

We see two Wagner operas and one each by the Strausses Johann and Richard, spanning a crucial six decades in the history of musical Romanticism. Just as Der fliegende Holländer (1843) was Wagner’s third opera but his breakthrough success, so Richard Strauss’s Salome (1905), also his third opera and an agreeable scandal at the time of its premiere, was the first of his operatic masterpieces never to have left the repertoire. As for Die Fledermaus, it is by far the most popular and enduring of Johann Strauss’s stage works.

All will be introduced during the daily session of talks and discussions about the evening’s opera. There are also guided tours on foot to a choice selection of Vienna’s art and architecture and musical heritage, as well as plenty of free time for rest, recuperation and preparation for the next performance.

Day 1

Fly at c. 12.30pm from London Heathrow to Vienna (British Airways). Arrive at the hotel in time to settle in before dinner.

Day 2

A talk on the music is followed by a visit to the Hofburg, the sprawling Habsburg palace where we see inter alia the splendid library hall and the imperial apartments. Free afternoon. Evening opera at the Volksoper: Der fliegende Holländer (Wagner), Aron Stiehl (stage direction), Frank Philipp Schlößmann (set design), Franziska Jacobsen (costume design), Holger Kristen (choir director). Further cast to be announced.

Day 3

The daily talk precedes a visit to the Kunsthistorisches Museum, one of the world’s greatest art galleries. Free time in the afternoon. Evening operetta at the Volksoper: Die Fledermaus (J. Strauss II), Carsten Süss (production), Pantelis Dessyllas (set design), Doris Engl (costume design), Lili Clemente, Susanne Kirnbauer (choreography). Further cast to be announced.

Day 4

The daily talk is followed by a morning walk through the centre of the inner city includes the Stephansdom, the great Gothic cathedral. After lunch there is free time followed by an evening opera at the Staatsoper: Lohengrin (Wagner), Omer Meir Wellber (musical direction), Andreas Homoki (production), Tareq Nazmi (Heinrich der Vogler), Piotr Beczala (Lohengrin), Camilla Nylund (Elsa of Brabant), Tomasz Konieczny (Friedrich of Telramund), Nina Stemme (Ortrud), Clemens Unterreiner (The King’s Herald).

Day 5

A visit to the excellent Museum of Applied Arts, especially rewarding for Secessionist (Art Nouveau) furniture and design. Free afternoon followed by an evening opera at the Staatsoper: Salome (R. Strauss), Philippe Jordan (musical direction), Cyril Teste (production), Jörg Schneider (Herodes), Michaela Schuster (Herodias), Malin Byström (Salome), Iain Paterson (Jochanaan), Hiroshi Amako (Narraboth), Isabel Signoret (Page).

Day 6

Journey to the airport. The flight to Heathrow arrives at c. 1.00pm.

Price, per person

Two sharing: £3,290 or £3,150 without flights. Single occupancy: £3,790 or £3,650 without flights. 


Flights (Euro Traveller) with British Airways (Airbus 320); travel by private coach; hotel accommodation as described below; breakfasts; 2 lunches and 4 dinners with wine, water, coffee; all admissions; all tips; all taxes; the services of the lecturer, tour manager and local guide where required. 

Music tickets

First category to 4 performances are included, costing c. £560. Tickets are subject to confirmation.


Hotel Bristol: a 5-star hotel in a superb location on the Ringstrasse near the opera house, traditionally furnished and decorated. Single rooms are doubles for sole use.

How strenuous?

This tour involves a lot of walking in the town centre, and should not be attempted by anyone who has difficulty with everyday walking and stair-climbing. Public transport (metro or tram), is used on some occasions. Average distance by coach per day: 6 miles.

Are you fit enough to join the tour?

Group size

Between 10 and 22 participants.

Travel advice

Before booking, please refer to the FCDO website to ensure you are happy with the travel advice for the destination(s) you are visiting.

'Travelling with Martin Randall is always a pleasure – no worries about transport, food, tickets for museums etc. The lecturers always greatly add to the pleasure and understanding of the tours.'

'Excellent lecturer – greatly enhanced the enjoyment of the operas we attended.'

'As always with Martin Randall, a completely lovely, almost effortless (for us), happy experience.'

You may also be interested in...