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- Cotswolds Choral Festival
Cotswolds Choral Festival - A celebration of the finest vocal music in England’s prettiest region
Festival highlights
- Eight private performances, mostly choral, in towns and villages in the Cotswolds, England’s prettiest region.
- Tremendous variety of sound world – from Palestrina to Pärt, with a focus on ‘local’ composers (Elgar, Vaughan Williams, Parry).
- BBC Singers, Carice Singers, Echo, Gesualdo Six, Gloucester Cathedral Choir, Myrthen Ensemble (Mary Bevan Clara Mouriz, Nicky Spence, Marcus Farnsworth, Joseph Middleton), Theatro dei Cervelli with Roberta Mameli and Tallis Scholars all perform.
- Concerts in five glorious churches, a cathedral, a Regency hall and a Tudor manor house.
- Choose from five hotels, all traditional country-style properties with modern facilities.
Quite simply, there is no prettier part of England than the Cotswolds - The topography of hills and hidden valleys, the exquisitely variegated textures from centuries of farming and grazing, myriad dry-stone walls and ancient hedges, abundant broadleaf woodland and exceptionally picturesque villages: these are reasons enough to visit.
There is also a cluster of capacious, grandly conceived and magnificently wrought churches. Products of the wealth generated in the Middle Ages by the wool trade, these mini-cathedrals are among the most beautiful parish churches in Europe.
Toss in a couple of hugely handsome secular halls – one Regency, one in a Tudor manor – and the Cotswolds comes as close to perfection as the location for a music festival as is imaginable.
Two of the hotels are in Burford, than which a lovelier and livelier little town does not exist. A further three are in Lower Slaughter and Bibury, both even smaller communities but also blisteringly picturesque. In both places, walk five or ten minutes in any direction and you will find yourself in the quietly beautiful countryside.
Though this is primarily a festival of choral music, there is tremendous variety of sound world – a real spectrum of repertoire, of era and place of composition, and of ensemble size.
The 500th anniversary of Palestrina’s birth is acknowledged in a couple of concerts, and due attention is paid to ‘local’ composers. For nearly 200 years, a quite disproportionate number of English composers were born or lived in the region. These include Hubert Parry, Edward Elgar, Gustav Holst, Ralph Vaughan Williams, Ivor Gurney and Gerald Finzi. But many other composers will be featured: British, foreign (largely Italian), historical and contemporary.
We are delighted to be able to present eight top class ensembles, all choirs except for one vocal ensemble (of some of the finest voices of our time), and an instrumental group from Italy and Switzerland. Some of the choirs enjoy world-wide fame, others are closer to the beginning of their careers but will be the stars of the future.
This is as fine and as concentrated a celebration of music of the voice as you are likely to come across in a long while.
Brochure
Musicians
BBC Singers
The BBC Singers has held a unique place at the heart of the UK’s choral scene for almost 100 years and has collaborated with many of the world’s leading composers, conductors and soloists. Awarded the Royal Philharmonic Society’s prestigious Ensemble Award in March 2024, they are also celebrating their 100 year anniversary in the 24/25 season.
The choir records music for broadcast on BBC Radio 3 alongside work for other network radio, television and commercial release. It also appears at major festivals in the UK and abroad, notably at the BBC Proms. At the heart of its work is a wide-ranging programme of learning activities working with children and adults in schools, music colleges, universities and community groups. The group is Britain’s only full-time salaried choral ensemble.
Echo Vocal Ensemble
Described as ‘sublime, spirited…completely assured’ (The Arts Desk), Echo Vocal Ensemble is an adventurous group of singers known for their flexibility, innovation and excellence. Since its inception, the group has developed a reputation for innovative programming and multi-disciplinary collaborations, including with poet Roger McGough, composer James MacMillan, visual artist Polly Apfelbaum and the London Philharmonic Orchestra. Echo aims to explore the full range of what ensemble singing can achieve, including improvisation and audience-immersive concert experiences, while achieving musical excellence at all times.
Echo’s conductor, Sarah Latto, held a choral scholarship at Sidney Sussex College, Cambridge and a fellowship at Yale. Among the other ensembles she has conducted are Ex Cathedra and the National Youth Choir of Great Britain; she made her debut with BBC Singers in 2024.
Gloucester Cathedral Choir
Nine centuries ago the boys and monks of the then Benedictine Abbey of St Peter sang for daily worship. Today’s choir stems from that established by Henry VIII, and consists of nine professional lay clerks, 16 boy choristers and, since 2016, 16 girls. In addition to eight services each week they perform in concerts at home and abroad and in live BBC broadcasts. They are key participants in the Three Choirs Festival, the world’s oldest music festival.
Adrian Partington is one of the UK’s most renowned choral conductors, Director of Music at Gloucester Cathedral, Artistic Director of the Gloucester Three Choirs Festival and Artistic Director of the BBC National Chorus of Wales.
Theatro dei Cervelli
Theatro dei Cervelli (Theatre of the Brains!) is a recently created ensemble devoted to Renaissance and Early Baroque Italian music directed by musician and musicologist Andrés Locatelli. It brings together singers and instrumentalists from across Europe (though a preponderance from Italy and Switzerland) who share a passion for Italian music c. 1500–1650.
Their mission is to explore the interaction between thought, music and emotion from a historical perspective and through study of historical performance. The ensemble’s name is taken from a treatise by the Italian humanist Tommaso Garzoni, Theatro de’ vari e diversi cervelli mondani (1583), an early-modern attempt to categorise the human mind and personality.
Roberta Mameli
Born in Rome and now based near Milan, Roberta Mameli is an Italian soprano who sings in opera houses and concert halls across Europe. She is particularly in demand for earlier repertoire, Monteverdi to Mozart via Vivaldi, her voice distinguished by exceptional subtlety and expressiveness.
The Carice Singers
The Carice Singers was founded by George Parris in 2011. Since being described as having a ‘beauty of tone’ and ‘musicality’ that ‘few can match’ by Gramophone magazine in 2016, it has carved out a unique place in the UK’s choral scene, defined by its sound, imagination and sense of adventure. Named after Elgar’s daughter, the group mixes a sustained focus on British music with a broader European outlook, aiming for fresh perspectives and performances of exceptional quality.
Recently, the group gave its debut performance at the Three Choirs Festival alongside concerts for Music at Oxford’s festival ‘Arvo Pärt… and a Littlemore’ and the Joy & Devotion Festival of Polish Choral Music. They appear regularly at London’s St Martin-in-the-Fields and were Ensemble in Residence at Cheltenham Music Festival in 2021 and 2023.
The Gesualdo Six
The Gesualdo Six is an award-winning vocal ensemble comprising some of the UK’s finest consort singers. The director is Owain Park, who is also a composer. Praised for their imaginative programming and impeccable blend, the ensemble formed in Cambridge in 2014 for a performance of Gesualdo’s Tenebrae Responsories and has gone on to perform at numerous festivals across the UK, Europe, North America, Australia and New Zealand.
Venues include London’s Wigmore Hall, New York’s Miller Theatre, Sydney’s Opera House and the Albert Hall for BBC Proms (2023). They have enjoyed great success with a work of concert-theatre titled Secret Byrd, a collaboration with Fretwork and director Bill Barclay, and have released seven critically acclaimed albums.
The Myrthen Ensemble
An ensemble of some of the finest voices of our time – Mary Bevan (soprano), Clara Mouriz (mezzo-soprano), Nicky Spence (tenor), Marcus Farnsworth (baritone) – and pianist, Joseph Middleton. They can be heard in the world’s leading opera houses and concert halls and on numerous award-winning recordings, but they periodically come together, all friends, to indulge their love of Lieder.
As The Myrthen Ensemble they have enjoyed performances at halls in several European countries and for BBC Radio 3. Their debut CD, Songs to the Moon, was released in 2016. The group takes its name from the composition Robert Schumann wrote as a wedding present for his wife Clara in 1840.
The Tallis Scholars
Through five decades of performance and award-winning recordings, Peter Phillips and The Tallis Scholars have done more than any other group to establish sacred vocal music of the Renaissance as one of the great repertoires of Western music.
They have brought the works to a wider audience on six continents, venues including the Royal Albert Hall, Sistine Chapel, Carnegie Hall, Philharmonie Berlin, San Marco Venice, Shakespeare’s Globe London, Concertgebouw Amsterdam, Beijing Concert Hall, Seoul Arts Centre Korea, Megaron Athens and Sydney Opera House.
They continue to develop their exclusive sound, praised by reviewers for its supple clarity and tone, and to bring fresh interpretations to music by contemporary as well as past composers.
Practicalities
The price includes:
– All eight concerts.
– Accommodation for four nights – choose between five hotels.
– Breakfasts, all four dinners, and interval drinks; talks on the music by Professor Stephen Darlington.
– All coach transfers, including (for those who need) to/from railway stations on the first and final days – see Day 1 of the itinerary.
– All tips and taxes.
– The assistance of festival staff and a detailed programme booklet.
The Lamb, Burford
Two sharing
Superior: £2,690
Suite: £2,940
Single occupancy
Classic: £2,780
The Bay Tree, Burford
Two sharing
Superior: £2,890
Deluxe: £2,990
Suite: £3,190
Single occupancy
Classic: £2,880
Superior: £2,990
The Country Inn, Lower Slaughter
Two sharing
Superior: £3,290
Junior Suite: £3,440
Suite: £3,590
Garden Suite: £3,790
Single occupancy
Classic: £2,990
Deluxe: £3,190
Superior: £3,640
The Swan, Bibury
Two sharing
Superior: £3,290
Deluxe: £3,390
Cottage: £3,390
Single occupancy
Classic: £3,090
Superior: £3,540
The Manor House, Lower Slaughter
Two sharing
Deluxe: £3,640
Junior Suite: £3,790
Suite: £4,020
Garden Suite: £4,240
Single occupancy
Classic: £3,390
Deluxe: £3,990
There is a choice of five hotels in Lower Slaughter, Burford and Bibury. For location, amenities, comfort, service and price, we believe these are the best in the area.
Your choice of hotel is the sole determinant of the different prices.
Rooms vary. As is inevitable in historic buildings, rooms vary in size and outlook.
Traffic noise may affect some rooms, but generally the hotels are in quiet areas with little traffic in the evenings, especially in Lower Slaughter.
If you would like extra nights in Bibury, Burford or Lower Slaughter before or after the festival, ask us or contact the hotel directly. This would be better done sooner rather than later.
All prices given here are per person.
The Lamb, Burford
Bedrooms are spread through several cottages and a main building which was originally a 15th-century weaver’s house – a charming warren of corridors and steps with low ceilings and exposed timber beams, comfortable and cosy. Bedrooms are individually decorated and with antique furnishings and modern touches. Classic rooms mostly have a shower only; other rooms have a bath with shower fitment and a few have both a bath and a shower.
There are two lounges, as well as a terrace and garden, a good restaurant (two AA rosettes), and a bar which is popular with locals.
There is roadside parking only, but participants are welcome to park in The Bay Tree’s car park just next door.
cotswold-inns-hotels.co.uk/the-lamb-inn
Prices, per person
Two sharing:
Superior £2,690
Suite £2,940
Single occupancy:
Classic £2,780
The Bay Tree, Burford
Bedrooms are spread between the main house and garden rooms, which are located just outside the main building. All are individually decorated in a charming, traditional style but with a few contemporary twists. Due to the nature of the building, there are lots of stairs and some floors are uneven. Bathrooms vary in size; some have a shower only, others have a bath with shower fitment or a bath and a shower.
The restaurant is bright and contemporary with a flagstone floor and there are two cosy lounges as well as a pretty garden.
There is a small hotel car park, free of charge.
cotswold-inns-hotels.co.uk/the-bay-tree-hotel
Prices, per person
Two sharing:
Superior £2,890
Deluxe £2,990
Suite £3,190
Single occupancy:
Classic £2,880
Superior £2,990
The Country Inn, Lower Slaughter
A couple of minutes from The Manor, this is a more informal and less glitzy hotel (it is in fact technically a 5-star ‘Inn’ in terms of classification). Externally traditional, the modernised interiors still retain the charm of a country inn. Bedrooms are spacious, simply decorated and well equipped. Classic and Deluxe rooms have a shower only; Superior and above have a bath with shower fitment, and a further few rooms have a separate bath and shower.
For dining, there is a traditional bar area with beamed ceilings or a bright and contemporary restaurant (same menu, two AA rosettes). The Inn sits within four acres of informal seasonal gardens.
There is a large hotel car park adjacent to the hotel, free of charge.
Prices, per person
Two sharing:
Superior £3,290
Junior Suite £3,440
Suite £3,590
Garden Suite £3,790
Single occupancy:
Classic £2,990
Deluxe £3,190
Superior £3,640
The Swan, Bibury
Located in a famously pretty village, The Swan is a 17th-century former coaching inn on the banks of the River Coln. Bedrooms are spread between the main house, garden rooms and cottages, and are individually and tastefully decorated with traditional furnishings brought up to date with modern touches. Bathrooms vary in size; some have a shower only, others have a bath with shower fitment or a bath and a shower.
There is a fairly small but airy ‘writing room’ at the front, a cosy bar and a garden with seating. Food in the contemporary brasserie is good. This is the only hotel with a lift, and it only provides access to the first floor.
There is a small hotel car park, free of charge.
cotswold-inns-hotels.co.uk/the-swan-hotel
Prices, per person
Two sharing:
Superior £3,290
Deluxe £3,390
Cottage £3,390
Single occupancy:
Classic £3,090
Superior £3,540
The Manor House, Lower Slaughter
Built in the 17th century as a private mansion, this very comfortable 4-star hotel stands in its own grounds in the centre of the village. Bedrooms vary but are a good size, stylishly furnished and well equipped. Bathrooms are generous in size and well lit; some have a glass door to the bedroom. Most have a bath with shower fitment, while higher category rooms have both a bath and a shower.
The downstairs area is spacious, with three elegant lounges and other amenities. The renowned contemporary restaurant has been rewarded three AA rosettes. The Manor is surrounded by five acres of landscaped gardens, set in the picturesque village of Lower Slaughter which borders the River Eye.
There is a good size hotel car park behind the hotel, free of charge.
Prices, per person
Two sharing:
Deluxe £3,640
Junior Suite £3,790
Suite £4,020
Garden Suite £4,240
Single occupancy:
Classic £3,390
Deluxe £3,990
Some walking is unavoidable on this festival, between coach and venues and to get around towns and villages visited. Four out of the five hotels do not have a lift; The Swan in Bibury is the exception (and this lift only accesses the first floor).
Participants need to be sure-footed and able to manage everyday walking and stairclimbing without difficulty.
We ask that you take our fitness tests before booking.
If you have a medical condition or a disability which may affect your holiday or necessitate special arrangements being made for you, please discuss these with us before booking – or, if the condition develops or changes subsequently, as soon as possible before departure.
Private. All the performances are planned and administered by us, and the audience consists exclusively of those who have taken the festival package.
Seating. Specific seats are not reserved. You sit where you want.
Audience size. There will be up to 140 participants on the festival. One of our venues cannot hold this number, so at this the performance will be repeated.
Acoustics. This festival is more concerned with locale and authenticity than with acoustic perfection. The venues may have idiosyncrasies or reverberations of the sort not found in modern concert halls.
Changes. Musicians fall ill, venues may close for repairs: there are various circumstances which could necessitate changes to the programme. We ask you to be understanding should they occur.
Participation in our festivals is a very different experience from conventional group travel.
No repetitive or redundant announcements, no herding by elevated umbrella, no unnecessary roll calls, little hanging around. We work on the assumption that you are adults, and our staff cultivate the virtue of unobtrusiveness.
Though there will be up to 140 participants, you will often find yourself in smaller groups – the audience is divided between five hotels, and into different restaurants for most of the dinners.
We provide sufficient information to enable you to navigate the festival events without needing to be led. However, festival staff are also stationed around the events to direct you if needed.
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Traversing the Tyrol, 9–15 June 2025
Lincolnshire Churches, 23–27 June 2025
Connoisseur's Vienna, 23–29 June 2025
Stockholm Modern, 24–29 June 2025
Garsington & Glyndebourne, 26–30 June 2025
Chichester & the South Downs, 26 June–1 July 2025
Testimonials
“Thank you for such a great experience. Now I know why friends speak so highly of MR.
”
“There was a lovely variety of music and it was all wonderful. My first love is choral, and I was thrilled to hear the Tallis Scholars (twice).
”
“The music was exceptional. Venues well chosen and beautiful.
”
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