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- The Bach Journey
The Bach Journey - A journey exploring the music of J.S. Bach through the places he lived and worked in central Germany
Festival highlights
- Nine concerts by some of the finest Bach interpreters in the world, from the UK and continental Europe.
- Renowned ensembles Dunedin Consort, Vox Luminis, Solomon’s Knot and The Marian Consort all appear.
- Hear the Brandenburg Concertos in Schloss Köthen where they were written, the deeply moving St John Passion in Weimar, and the monumental B minor Mass in Leipzig.
- Keyboard works by superb harpsichordist Mahan Esfahani and on an organ from Bach’s time in Sangerhausen.
- Choose from range of hotel options in each of the three hotel bases: Eisenach/Mühlhausen, Weimar and Leipzig.
- Daily talks by leading Bach experts Professor John Butt and Sir Nicholas Kenyon.
Journeying to the places where Johann Sebastian Bach lived and worked is an experience as near to pilgrimage as the history of music offers.
For this, the tenth Bach Journey, we have assembled artists and ensembles from Britain and continental Europe who are world leaders in this repertoire.
The superb Dunedin Consort appear in both Köthen, to play the dazzling Brandenburg Concertos in the very place they were likely written, and also in Mühlhausen with an intimate sonata programme.
Vox Luminis perform in the Georgenkirche in Eisenach where Bach was a chorister, in Weimar we hear the deeply emotive St John Passion.
We hear keyboard works by renowned harpsichordist Mahan Esfahani and on an organ from Bach’s time in Sangerhausen.
The Marian Consort team up with lively period instrument ensemble Spiritato, and Solomon’s Knot complete the festival with a performance of the monumental B-minor Mass in the Nikolaikirche in Leipzig.
There are daily talks on the music by an array of speakers, including Professor John Butt and Sir Nicholas Kenyon.
The festival is emphatically a journey. It starts, as did Bach, in the little towns and cities of the principality of Thuringia and finishes, again like Bach, in the free city of Leipzig. The entire audience stays in hotels in three places: Eisenach or Mühlhausen, Weimar and then Leipzig, and the concerts take place here and in other towns.
Hearing his works in buildings which he frequented, performed by some of the finest international interpreters, must rank among the highest delights available to music lovers. This unique festival provides the opportunity.
Videos
Brochure
Musicians
Mahan Esfahani
Born in Tehran in 1984, Esfahani grew up in the United States and studied musicology and history at Stanford University. He was the first and only harpsichordist to be a BBC New Generation Artist (2008-2010) and a Borletti-Buitoni prize winner (2009). In 2022, he became the youngest recipient of the Wigmore Medal, in recognition of his significant contribution and longstanding relationship with the Hall.
As a concerto soloist he performs with major symphony and chamber orchestras and contemporary music ensembles under a starry range of conductors. Esfahani’s work with new music is particularly acclaimed, with high-profile solo and concertante commissions from many contemporary composers.
His richly-varied discography, which includes an ongoing series of the complete works of Bach for Hyperion, has been acclaimed in the press and has garnered multiple awards, including Gramophone award, two BBC Music Magazine Awards, a Diapason d’Or and ‘Choc de Classica’ in France. His latest disc in his solo Bach cycle for Hyperion was awarded a ICMA in the Baroque instrumental category, and his first concerto disc for Hyperion, of Czech concertos, was released in February 2023 and won an Opus Klassik award.
He can be frequently heard as a commentator on BBC Radio 3 and Radio 4 and as a host for such programs as Record Review, Building a Library, and Sunday Feature.
Solomon's Knot
Solomon’s Knot is “one of the UK’s most innovative and imaginative ensembles” (The Observer). Performing without a conductor and singing everything from memory, the group’s acclaimed sound is defined by tight, compact instrumental playing coupled with the vocal virtuosity of soloists who meld as an intuitive ensemble.
Performing regularly throughout the UK & Europe, Solomon’s Knot is the long-term Baroque Ensemble in Residence at Wigmore Hall and has appeared at the BBC Proms, Snape Maltings, Bachfest Leipzig and more.
Collaboration is at the heart of the group’s ethos, working with stage directors, visual artists, ensembles, composers and choreographers including Tim Carroll, Federay Holmes, John La Bouchardière and others.
In 2019 Solomon’s Knot released their debut CD with Sony Classical, Magnificat, which has been followed by further releases of Bach, Telemann and more.
2025/26 plans for the group include a performance of Handel’s Israel in Egypt on Martin Randall Travel’s Handel in Malta festival, at Wigmore Hall and at Bozar Brussels.
Spiritato
Spiritato is a period instrument ensemble with a love for little-known composers. As individuals they can be found performing with specialist ensembles throughout the UK and Europe, including the Academy of Ancient Music, Orchestra of the Age of Enlightenment, Les Talens Lyriques and the Orchestre Révolutionnaire et Romantique.
Producing unique, research-based performance projects, avoiding well-trodden paths wherever possible, Spiritato actively seeks to promote forgotten composers and bring their music to a wider audience.
The group enjoyed great success in 2016 with their ambitious new project Guts and Glory. Performing throughout England, this project involving real natural trumpets and equal tension strings was enthusiastically received by audiences. The ensemble has also completed a six-concert tour of major UK festivals with Inspiring Bach, featuring trumpets, drums voices in a programme of large-scale cantatas, collected and admired by J.S. Bach himself.
Having released two albums on the Resonus Classics label, including the world premiere recording of The Judgment of Paris by Daniel Purcell – described by BBC Radio 3 Record Review as ‘high-quality entertainment’ – the ensemble have since recorded two albums for award-winning Delphian Records.
The Marian Consort
Led by founder and director Rory McCleery, The Marian Consort (TMC) is an award-winning British vocal ensemble that presents bold and thrilling performances of music from across the centuries.
TMC features regularly on UK and international television and radio (including BBC Two’s 2022 documentary series ‘Art That Made Us’), and has released fourteen recordings to critical acclaim, garnering a variety of accolades and awards including the Diapason D’Or, Presto Classical Album of the Year and the Preis der Deutschen Schallplattenkritik.
Highlights of TMC’s live performance schedule include appearances at the BBC Proms, Festival Europäische Kirchenmusik Schwäbisch Gmünd (broadcast on German national radio) and the Miller Theatre series at Columbia University in New York.
TMC performs music from the 12th century to the present day, with a focus on bringing to light and championing marginalised and lesser-known Renaissance composers such as Vicente Lusitano, Raffaella Aleotti, and Jean Maillard. The group also works with living composers through its New Music Programme and collaborates with ensembles and soloists of international repute. In 2025 TMC is a Royal Philharmonic Society Composers Programme Partner.
Rory McCleery
Rory McCleery is an award-winning Scottish conductor, countertenor & musicologist who is internationally renowned for his compelling interpretations of a wide range of repertoire. Rory has directed choirs and led masterclasses, study days and workshops in the USA, Spain, Germany, France and Italy. When not researching and conducting, Rory is also active as a countertenor, performing as a soloist with ensembles including The Dunedin Consort, English Consort and Ensemble 1604.
Rory is a passionate advocate for music education and singing for wellbeing, and along with his wife, harpist Rachel Wick, is Artistic Co-Director of Dunster Festival in West Somerset.
Dunedin Consort
Dunedin Consort is one of the world’s leading Baroque ensembles, recognised for its vivid and insightful performances and recordings. Formed in 1995 and named after Din Eidyn, the ancient Celtic name for Edinburgh Castle, Dunedin Consort’s ambition is to allow listeners to hear early music afresh. Under the direction of John Butt, the ensemble has earned two coveted Gramophone Awards, a BBC Music Magazine Award, and a Grammy nomination. In 2021 it was the recipient of the Royal Philharmonic Society Ensemble Award.
Dunedin Consort performs regularly at major festivals and venues including the BBC Proms, Edinburgh International Festival and Lammermuir Festival.
The group’s growing discography on Linn Records includes Handel’s Acis and Galatea and Bach’s Six Brandenburg Concertos, both nominated for Gramophone Awards.
The group’s John Passion was nominated for a Recording of the Year award in both Gramophone and BBC Music Magazine.
Dunedin Consort has a commitment to commissioning and performing new music. In 2025 it premiered David Fennessy’s Bog Cantata, the second in a 3-year co-commissioning series which opened with Cassandra Miller’s new guitar concerto for Sean Shibe and will conclude in 2026 with Tansy Davies’ Passion of Mary Magdalene.
John Butt
Alongside his work as musical director of Dunedin Consort, John Butt is also Principal Artist with the Orchestra of the Age of Enlightenment and was Gardiner Professor of Music at the University of Glasgow 2001-24, where he continues as an Honorary Professorial Research Fellow. His career began with his appointment as organ scholar at King’s College Cambridge, which led to various academic and performing posts (including at UC Berkeley, 1989-97). His work, as both musician and scholar, gravitates towards music of the 17th-18th centuries.
As well as numerous recordings with Dunedin Consort, Butt has made 11 recordings on organ and harpsichord for Harmonia Mundi (including the complete organ works of Elgar).
Since winning the W.H. Scheide prize for his first book, he has received the Dent Medal of the RMA together with the RAM/Kohn Foundation’s Bach Prize. He has been awarded an OBE, FBA and FRSE, as well as the medal of the Royal College of Organists.
Martina Pohl
Martina Pohl is the director of church music in Sangerhausen and Kreiskantorin for the Eisleben-Sömmerda Church District. Having worked as a church musician in Berlin since 1992 Pohl came to Sangerhausen in 2004, originally called to work on the town’s historic Hildebrandt organ.
Pohl studied from 1980-86 at the Hochschule für Kirchenmusik in Halle/Saale, where she received teaching on the organ from cathedral organist Michael Pohl (Berlin), on improvisation from Prof. Dietrich Wagler (Freiberg) and on choral conducting from Thomaskantor Georg Christoph Biller (Leipzig).
As an organist, Pohl has recorded a number of CDs and is a guest of internationally renowned concert cycles at venues such as the Berliner Dom, St. Michaeliskirche Hamburg and on the Silbermannorgel of the Freiberger Dom. Her focus is on the works of J.S. Bach and on the German Romantic, and concerts in France and Switzerland have increased her international renown.
She has also worked as artistic director of the Südharz Organ Festival and in her work as a choral conductor she has collaborated with orchestras such as the Andreas-Kammerorchester Erfurt, Staatskapelle Halle and the Thüringer Symphoniker.
Vox Luminis
Vox Luminis’ mission is clear: to bring vocal music to a wide audience, with excellence as its guiding principle and touchstone. Founder, artistic director and bass Lionel Meunier composed the ensemble in such a way that each voice can shine solo as well as merge into one luminous fabric of sound.
In 2012 the ensemble won the Baroque Vocal Award and Recording of the Year at the Gramophone Classical Music Awards for Schütz’s Musikalische Exequien, and seven years later it won the Choral Award for Buxtehude: Abendmusiken. Other accolades include ‘Klara Ensemble of the Year 2018’, a BBC Music Magazine Award, numerous Diapasons d’Or, the 2020 Caecilia Prize and the Preis der Deutschen Schalplattenkritik (several times).
As well as being a welcome guest at major concert halls and festivals worldwide, Vox Luminis is artist in residence at Concertgebouw Brugge and the Abbaye Musicale de Malonne (Namur). In 2021, the ensemble started a partnership with the Freiburger Barockorchester and it has also collaborated with American composer Caroline Shaw, performing a world premiere of her work at the Thüringer Bachwochen.
Vox Luminis celebrated its 20th anniversary in 2024. To mark the occasion, the ensemble created a programme entitled Et resurrexit, which toured internationally, and released an anniversary CD box set with Ricercar.
Lionel Meunier
French conductor and bass Lionel Meunier is widely regarded as one of the most dynamic and highly acclaimed artistic leaders in the fields of historical performance and choral music active today. Praised for his detailed yet spirited interpretative approach, he is now increasingly in demand worldwide as a guest conductor and artistic director and has worked with the Netherlands Bach Society, Danish National Vocal Ensemble, Netherlands Chamber Choir, Salzburg Bach Choir, and the Boston Early Music Festival Collegium.
Highlights of the 2024/25 season include his debut at Carnegie Hall New York conducting the Orchestra of St Luke’s with Bach and Vivaldi; a return to Juilliard New York in an all-Handel program; and extensive tours through Europe and North America with Vox Luminis and the Freiburg Baroque Orchestra.
Born in France, Lionel was trained as a singer and recorder player and began his career as a bass in renowned ensembles such as Collegium Vocale Ghent, Amsterdam Baroque Choir, and Capella Pratensis. In 2013, he was awarded the title of Namurois de l’Année (Namur Citizen of the Year) for culture in the Belgian town of Namur, where he lives with his family.
Alban Gerhardt
Alban Gerhardt has gained recognition as one of the world’s most versatile cellists, highly regarded for his technical mastery, profound musicality, and insatiable artistic curiosity. Notable orchestral collaborators include the New York Philharmonic, Royal Concertgebouw Orchestra and Berliner Philharmoniker, as well as all the British and German radio orchestras, under conductors such as Daniel Harding, Esa-Pekka Salonen, Kirill Petrenko, Vladimir Jurowski and Andris Nelsons.
Highlights of the upcoming 2025/26 season include concerto performances with the Royal Stockholm Philharmonic, National Symphony Orchestra in Taipei, and the Korean National Symphony Orchestra, working with conductors such as Jukka-Pekka Saraste, Ryan Wigglesworth and Ryan Bancroft, to name a few. Recent highlights include collaborations with Boston Symphony Orchestra, National Symphony Orchestra Washington, Munich Philharmonic, the Hallé and BBC Philharmonic.
A keen chamber musician, the upcoming season brings Gerhardt to Muziekgebouw Amsterdam – performing alongside musicians like Gidon Kremer or Alina Ibragimova – to Montreal with Steven Osborne, and to Wigmore Hall for a solo recital of all Bach suites. Having recorded extensively for Hyperion, Gerhardt’s album of the complete Bach suites was one of The Sunday Times’s top 100 recordings of 2019.
Practicalities
The price includes:
— All nine concerts.
— Accommodation for six nights – choose between four hotel options. See page 18.
— All breakfasts, five dinners, three or four lunches (depending on flight option), and interval drinks.
— Talks on the music by Professor John Butt and Sir Nicholas Kenyon.
— All coach transfers.
— The assistance of festival staff and a detailed programme booklet.
Optional extras:
— A pre-festival tour, 'Organs of Bach's time'.
— Arriving a day early in your festival hotel.
Arriving a day early (27 September):
Two sharing: £3,680 per person
Single occupancy: £3,980
Arriving on the first day of the festival (28 September):
Two sharing: £3,590 per person
Single occupancy: £3,770
Category B
Arriving a day early (27 September):
Two sharing: £4,080 per person
Single occupancy: £4,350
Arriving on the first day of the festival (28 September):
Two sharing: £3,990 per person
Single occupancy: £4,230
Category C
Arriving a day early (27 September):
Two sharing: £4,520 per person
Single occupancy: £4,910
Arriving on the first day of the festival (28 September):
Two sharing: £4,410 per person
Single occupancy: £4,730
Category D
Arriving a day early (27 September):
Two sharing: £4,900 per person
Single occupancy: £5,400
Arriving on the first day of the festival (28 September):
Two sharing: £4,790 per person
Single occupancy: £5,220
Flights: if you choose to take one of the offered flight options, there is an additional cost of £270 per person.
Flights from London Heathrow are offered – all options fly into Frankfurt and back from Berlin.
If you select hotel option A or B, you can travel on flight options 1, 3 or 5.
If you select hotel option C or D, you can travel on flight options 2, 4 or 6.
There is the option to fly out on the 27 September, the day before the festival begins – see details in 'prices, per person'.
Festival flight options
Arriving a day early:
Option 1 – hotel options A & B
27 September: depart Heathrow 09.30, arrive Frankfurt 12.05 (LH 901)
4 October: depart Berlin 11.20, arrive Heathrow 12.25 (BA 987)
Option 2 – hotel options C & D
27 September: depart Heathrow 11.30, arrive Frankfurt 14.05 (LH 905)
4 October: depart Berlin 12.55, arrive Heathrow 13.55 (BA 991)
Arriving on the first day of the festival:
Option 3 – hotel options A & B
28 September: depart Heathrow 09.30, arrive Frankfurt 12.05 (LH 901)
4 October: depart Berlin 11.20, arrive Heathrow 12.25 (BA 987)
Option 4 – hotel options C & D
28 September: depart Heathrow 09.30, arrive Frankfurt 12.05 (LH 901)
4 October: depart Berlin 12.55, arrive Heathrow 13.55 (BA 991)
Option 5 – hotel options A & B
28 September: depart Heathrow 11.30, arrive Frankfurt 14.05 (LH 905)
4 October: depart Berlin 16.45, arrive Heathrow 17.45 (BA 991)
Option 6 – hotel options C & D
28 September: depart Heathrow 11.30, arrive Frankfurt 14.05 (LH 905)
4 October: depart Berlin 16.45, arrive Heathrow 17.45 (BA 991)
The no-flights option:
You can choose not to take any of our flight options and to make your own arrangements for joining and leaving the festival. You are welcome to join our airport coach transfers if your flights coincide with any of the options above.
Pre-festival tour:
The price for the pre-festival tour offers the option of a return flight – out at the start of the tour, and back at the end of the festival.
All pre-festival tour participants return to the UK on festival flight option 1.
We charge for flights, if you are taking them, as part of your pre-festival tour booking. You therefore pay the ‘no flights’ price for the festival.
The audience stays in three different towns during the course of the festival.
Choose between four different hotel options, A–D – see below.
If you intend to share a twin room with a friend, the best options are C and D (due to visibility of the bathroom from the bedroom area at the Park and Radisson Blu hotels in Leipzig, as well as a very limited number of twin rooms at the Brauhaus zum Löwen in Mühlhausen).
Mühlhausen or Eisenach:
27 or 28–30 September (two nights, or three if arriving a day early)
Depending on which hotel option you choose (A–D), you stay for the first two or three nights in either Mühlhausen or Eisenach.
Mühlhausen has few hotels. Categories A & B stay in the same 3-star hotel. The bathrooms have showers only. Double beds consist of two mattresses on a single base, and there are very few actual twin rooms. The hotel does not have air conditioning.
In Eisenach, both Categories C & D stay in a well-appointed hotel in the centre. Bathrooms are baths with shower fitments. Double rooms largely consist of two separate beds.
Weimar:
30 September–2 October (two nights)
Weimar has a very good range of 3-, 4- and 5-star hotels. A small city, the hotels we have selected are no more than 10 or 15 minutes’ walk from the venue. There is no air-conditioning at the Anna Amalia (Option A) but windows can be opened. Nearly every room at each of the four hotels is accessible by lift.
Leipzig:
2–4 October (two nights)
Leipzig, as a trade fair city, has a good selection of hotels of all categories though some lack individuality. We have selected ones within the periphery of the medieval core of the city; none is more than 15 or 20 minutes on foot from the venues. All have air-conditioning.
Option A
Mühlhausen: Brauhaus zum Löwen. An old timber-framed building of great character in the centre of town. Rooms are either in the main building or in a modern annex, 3 minutes walk away. The modern buildings may be less characterful, but all rooms are spacious. There is a lift to some rooms but not all.
Weimar: Anna Amalia. A family-run hotel in a quiet cobbled street in the centre of town. Rooms are simply furnished with cream walls and light wood furniture. Bedrooms vary in size. All rooms have a shower and there is lift access to all floors.
Leipzig: Seaside Park Hotel. A modern and comfortable hotel. The quirky design uses plenty of wood and is vaguely nautical. Bedrooms are a good size. Bathrooms are open to the rest of the bedroom, although the lavatory is in a separate room. There is a good restaurant. Every floor is accessible by lift.
Option B
Mühlhausen: Brauhaus zum Löwen. Same as option A.
Weimar: Dorint am Goethepark. Comprising two historic houses connected by a new addition, this is a modern hotel pleasantly situated by the park and a short walk from the town centre. Décor is a little austere, but the rooms elegant and comfortable. There is a restaurant in the hotel. All rooms have air conditioning and can be reached by lift. The majority of rooms have a bathtub rather than a walk-in shower.
Leipzig: Radisson Blu. A modern hotel, purpose-built in 1964 and completely renovated in 2006. It is situated on the Ring overlooking Augustusplatz and the Gewandhaus. Geared more to the business market, its interior of cool elegance is nevertheless comfortable. Beds can be divided into twins, but there may not be much space between them. Bathrooms are open to the bedroom (though the lavatory cannot be seen).
Option C
Eisenach: Vienna House by Wyndham Thüringer Hof. A large, centrally-located hotel. Bedrooms (Superior category) are bright and simply decorated. Two restaurants, a bar, as well a spa with sauna, exercise room and rooftop terrace. There is no air-conditioning. Double rooms have two separate mattresses attached to one another.
Weimar: Best Western Premier Grand Hotel Russischer Hof. An elegant hotel dating to 1805 and furnished in a partially modernised, opulent Russian Neo-Classical style. Impressive public areas and restaurants, comfortable rooms with generally spacious bathrooms, excellent location. All rooms are air-conditioned and accessible by lift.
Leipzig: Marriott. A traditional hotel decorated in marble, wood and brass. Rooms are spacious with cosy, country-style furnishings and all mod cons. Centrally-located but quiet. There is a swimming pool, and lift access to all floors.
Option D
Eisenach: Vienna House by Wyndham Thüringer Hof. Same as option C (Deluxe category rooms).
Weimar: Hotel Elephant. Famous, historic establishment blending classical gravity with contemporary understatement. Bedrooms are spacious and very well equipped, with smart, modern décor and bathrooms with showers. The hotel houses the AnnA restaurant, the finest in Weimar.
Leipzig: Steigenberger Icon Grandhotel Handelshof. A converted former exhibition building located next to the Old Stock Exchange and a stone’s throw from the market square. Rooms are decorated in a clean and contemporary style. Views are of the internal courtyard or the city. There is a spa and fitness area. There are some slightly ostentatious modern design features. All rooms have walk-in showers and many also have a bathtub.
This is a physically demanding festival and fitness is essential.
Within the towns and cities, you will be expected to walk for anything up to 25 minutes and at a pace which is unlikely to slow others down when moving together. Many surfaces are uneven or cobbled and there are some ascents and descents. You will need to climb stairs at some venues and hotels, check in and out of three hotels and be comfortable travelling considerable distances by coach, particularly on the first and last days.
We are very happy to talk you through each day’s manoeuvres, as these differ festival to festival, to identify if it may be necessary to opt out at any point.
We ask that you take the simple fitness tests before booking.
Are you fit enough to join the festival?
If you have a medical condition or a disability which may affect your holiday or necessitate special arrangements being made for you, please discuss these with us before booking – or, if the condition develops or changes subsequently, as soon as possible before departure.
Private. All the performances are planned and administered by us, and the audience consists exclusively of those who have taken the festival package.
Seating. Specific seats are not reserved. You sit where you want.
Audience size. There will be up to 180 participants on the festival. One of our venues cannot hold this number, and so the performance will be repeated.
Acoustics. This festival is more concerned with locale and authenticity than with acoustic perfection. The venues may have idiosyncrasies or reverberations of the sort not found in modern concert halls.
Changes. Musicians fall ill, venues may close for repairs, airlines alter schedules: there are many circumstances which could necessitate changes to the programme. We ask you to be understanding should they occur.
Before booking, please refer to the FCDO website and Travel Health Pro to ensure you are happy with the travel advice for the destination(s) you are visiting.
Organs of Bach's time, 23–28 September 2026.
Testimonials
“For me, a life long lover of the music of Bach, the week was unadulterated bliss, like a week cut out from normal life. I applaud what Martin Randall Travel does for music lovers.
”
“The talks by Sir Nicholas Kenyon were memorably lively, informative and beautifully presented. They were well calibrated to the progress of the Bach Journey and culminated in a masterly final talk...
”
“I absolutely loved my first experience with MRT and have recommended it highly to my friends. As a Bach fanatic I was already looking forward to it before I went but it exceeded my expectations.
”
“Astonishing line-up of concerts in wonderful places... meandering through those small Thuringian towns was most moving and helped give a picture of the world Bach lived in.
”
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