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Florence Revisited - Art off the beaten track & in private collections

Designed for those already familiar with the main sites, concentrating on places privately owned or not easy to access.

A medley of pleasures, from mediaeval to modern, pursuing a number of key themes.

A few places outside Florence – Fiesole, Poggio a Caiano, Carmignano, Artimino, Galluzzo.

The B list? An A list by the standards of nearly everywhere else in the world.

11 - 17 Nov 2019 £2,510 Book this tour

  • Florence, Uffizi, the Tribune, engraving 1820.
    Florence, Uffizi, the Tribune, engraving 1820.
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Overview

So abundant are Florence’s artistic riches that some masterpieces elude all but the most regular visitors. And those that are in private ownership, or for which access is only by special arrangement, are beyond the reach of all but the well-connected resident – unless you join this tour, which has been designed specially for those who are familiar with the main sights. As an introduction to Florence, it would be decidedly eccentric. As a week spent in pursuit of great art and architecture in one of the most beautiful cities in the world, it will be a delight. In quality and importance, the art seen far exceeds that on many of our tours to regions which have been less creative. But in Florence, even the second division is a world-beater.

One of the reasons why many of the items on this itinerary are usually missed is simply because they are, geographically, peripheral, being located in the suburbs, or, even if within walking distance of the centre, they are away from the main clusters of monuments and museums.

Subsidiary themes will emerge, such as depictions of the Last Supper, and the brief but brilliant episode of Mannerist painting. But the tour is a medley of pleasures, from mediaeval to (nearly) modern, from the famous to the little known, from the hard-to-find to the (nearly) impossible to get into. And then there is the beauty of Florence itself, and the charm of its surroundings. There will also be free time in which you could re-visit some of the major museums and monuments.

Many of the visits are by special arrangement and are dependent on the generosity of owners or institutions. There is the chance that one or two visits may have to be withdrawn, but suitable alternatives will be arranged.

Day 1

Fly at c. 11.15am from London City to Florence. See Lippi’s Apparition of the Virgin to St. Bernard in the Badia Fiorentina, an abbey and church now home to the Fraternity of Jerusalem.


Day 2

Visit Ghirlandaio’s Last Supper at Ognissanti and the Opificio delle Pietre Dure to see exquisite furniture and ornaments made from semi-precious stones. Palazzo Corsini al Prato was begun in 1591 to designs by Bernardo Buontalenti; it was acquired in 1621 by Filippo Corsini and refurbished by him. Lunch here, hosted by the owner. In the afternoon, see Villa La Pietra, once the property of Sir Harold Acton, and originally built by Francesco Sassetti, general manager of the Medici Bank in the 15th century.


Day 3

The morning starts with a selective tour of the Uffizi, Italy’s most important art gallery, which has masterpieces by every major Florentine painter as well as international Old Masters. Walk through the Vasari Corridor from the Uffizi to the Pitti Palace, viewing the Medici collection of artists’ self-portraits. In the afternoon there is a private visit to parts of the redoubtable Palazzo Pitti not usually open to the public.


Day 4

The Last Supper by Andrea del Sarto at San Salvi is the greatest 16th-century picture in Florence. Visit the Badia Fiesolana near Fiesole, a 15th-century church with a Romanesque façade. In Fiesole visit the cathedral and Roman theatre; also the Villa Medici, the first of its genre to provide a stunning view over Florence. It was built by Michelozzo in the 15th century and became home to Sibyl Cutting and her daughter Iris Origo. Aperitivo at Palazzo Gondi, designed in 1490 by Giuliano da Sangallo, favourite architect of Lorenzo de Medici.


Day 5

The Cenacolo di Sant’Apollonia has a Last Supper by Andrea del Castagno, and there is another by Perugino’s workshop at the Cenacolo di Fuligno. Private backstage tour of the Teatro della Pergola, an historic opera house. The afternoon is free.


Day 6

Poggio a Caiano was the country retreat of Lorenzo il Magnifico, and a highly important monument in the history of grand country houses. At Carmignano is the exquisite Visitation by Pontormo. There is another Medici villa at Artimino, viewed briefly from the outside before lunch nearby. The Carthusian monastery at Galluzzo has beautiful cloisters and paintings by Pontormo.


Day 7

In the morning visit the tiny Museo del Bigallo, a late-gothic structure which houses a small collection of paintings with a religious theme. Fly from Florence to London City, arriving c. 9.15pm.

Dr David Rosethal

Dr David Rosenthal

Historian of Renaissance and Counter-Reformation Italy. Research Fellow at the University of Exeter and a former fellow at Harvard’s Villa I Tatti in Florence, he has written widely on Florentine social, religious and cultural life, including a book uncovering the rise and fall of artisan carnival festivity titled Kings of the Street: Power, Community & Ritual in Renaissance Florence. He is also the co-creator of Hidden Florence, an innovative walking app that takes visitors on an alternative tour of the city’s using a 16th-century map.

Price, per person

Two sharing: £2,510 or £2,370 without flights. Single occupancy: £2,890 or £2,750 without flights.


Included

Flights (City Flyer) with British Airways (Embraer 170); private coach travel outside the city centre for the transfers and excursions; accommodation as described below; breakfasts, 2 lunches and 4 dinners with wine, water, coffee; all admissions; all tips; all taxes; the services of the lecturer and tour manager.


Accommodation

Hotel Santa Maria Novella, Florence: a delightful, renovated 4-star hotel in a very central location. Single rooms are doubles for sole use.


How strenuous?

There is quite a lot of walking, and the tour would not be suitable for anyone who has any difficulties with everyday walking or stair-climbing, or standing for long periods of time in museums. Average distance by coach per day: 24 miles

Are you fit enough to join the tour?


Group size

Between 8 and 18 participants


Travel advice

Before booking, please refer to the FCO website to ensure you are happy with the travel advice for the destination(s) you are visiting: www.gov.uk/foreign-travel-advice.


Combine this tour with

Venetian Palaces, 5–9 November 2019; Palaces & Villas of Rome, 18–23 November 2019; Ruskin’s Venice, 23–23 November 2019.

We are happy to advise on linking accommodation and transport.

 

 

Map: Florence.