In the heady days of Madrid’s movida movement of the 1980s, following Franco’s death, it was obvious that ‘Culture’ would play centre-stage in Spain’s new democracy; from Pedro Almodovar’s avant garde film to the collections of the dusty Prado. Daring new projects with high capital risk like the Centro de Arte Reina Sofia, the Thyssen and the Prado extension demanded a rethink; rehangs at old established museums shaped the now spectacular Museo de Arqueología and San Fernando de Bellas Artes, while careful restoration transformed old monuments like Goya’s frescoes at San Antonio de la Florida. Banks and other institutions filled in any gaps with pioneering builds like Herzog de Meuron’s Caixaforum, the conversion of a power station with a 70 foot vertical garden wall by Patrick Blanc. As a result, Madrid’s art scene is now second to none. From Velazquez’s breathtaking Las Meninas to Picasso’s Guernica, from van der Weyden’s Deposition to Bosch’s Garden of Earthly Delights and through to its contemporary galleries there is a common thread – the celebration of genius.
Madrid’s unique character feeds off the perennial tension between Spanish identity and cosmopolitan modernity, where gastro energy, tapas hopping, markets and designer fairs sit side by side with Golden Age houses. It was designated capital of Spain by Phillip II in 1561 and back then it was a dry, impossibly hot and boisterous wild west town in the summer, while in the winter the cold winds from the snow-topped sierra “couldn’t blow out a candle but could kill a man.” Madrid proudly boasted its status as a villa – a town, not a city - until King Felipe’s wedding in 2004 forced the consecration of the Almudena cathedral. It has had to constantly remake its history where rival Toledo is as old as the hills.
En route, Phillip II’s imperious El Escorial was his haven from a Toledo he found too cold and the noise and bustle of nearby Madrid. Here masterpieces sit behind forbidding walls: a Cellini marble Christ - a gift of the Medici - rivals an illuminated manuscript as rare as Alfonso the Wise’s mythic Book of Chess.
Toledo’s stone island has been cut by the Tagus out of hard granite rock. The skies with their bruised El Greco clouds sweep out across the meseta plain. The Imperial City, capital of the Visigoths, was home to the remarkable St Ildefonso, later the Arab taifa court, a School of Translators, synagogues and was invaded by the monastic orders. It is a warren of streets, where tolerance and the Inquisition faced-off in an uneasy, sometimes violent, confrontation that sits right at the heart of the Spanish character and it’s rich, Quixotic diversity. Masterpieces like El Greco’s Burial of the Count de Orgaz are seen in situ and gloriously on our own. There are few luxuries in life that beat it, except perhaps, as Quixote would tease Sancho Panza, a ‘pickled partridge’ married with a deep rich caldo of blood-red wine, followed by the sweetest marzipan heart - rolled out by a nun.
Fly at c. 9.15am from London Heathrow to Madrid (Iberia Airlines). Begin at the Archaeological Museum, good on ancient Iberian civilization and Roman Spain. Dinner takes the form of a tapas walk. First of four nights in Madrid.
Madrid. The monastery of las Descalzas Reales (Barefoot Carmelites) was the former palace of Charles I and Isabel of Portugal, a complex rich in masterpieces including a series of Rubens tapestries. Continue to the Royal Academy of Fine Arts, home to works by Goya, Zurbarán, Ribera and Murillo. In the afternoon our first visit to the Prado Museum concentrates on the Spanish school.
Madrid. Visit the Lázaro Galdiano Museum with works by El Greco, Goya and Murillo and then the Sorolla Museum, in the charming house of the eponymous Impressionist painter. The afternoon is spent at the Thyssen-Bornemisza Collection, housed in the 18th-century Palacio de Villahermosa, one of the world’s largest private art collections until its purchase by the Spanish state in 1993.
Madrid. Return to the Prado, this time primarily to see the Italian and Netherlandish schools. Continue to the Centro de Arte Reina Sofía, one of the greatest modern art museums and home to Picasso’s Guernica plus works by Miró, Dalí and Tàpies. Dinner is accompanied by a flamenco show.
Madrid, El Escorial. Leaving Madrid, stop at of San Antonio de la Florida with fine Goya frescoes before continuing to El Escorial, a vast retreat-cum-palace-cum-monastery-cum-pantheon built from 1563 to 1584 for Philip II, successfully embodying his instructions for ‘nobility without arrogance, majesty without ostentation, severity in the whole’. On to Toledo via the 16th-century Hospital de Tavera, now a museum containing El Greco’s final work, Baptism of Christ.
Toledo. Visit the church of Santo Tomé with El Greco’s Burial of Count Orgaz, his greatest work (private view) and see more of his art at his burial place, the convent of Sto Domingo el Antiguo. Fine architecture includes the 14th-century Taller del Moro, 13th-century San Román, now the Visigothic museum, and the exquisite tenth-century mosque of Bab al-Mardum. The Gothic cathedral is Spain’s largest and the most richly endowed with paintings (El Greco, Velázquez, Titian) and also has furnishings and sculpture of the highest quality. The Museo de Santa Cruz is housed in a remarkable early 16th-century hospital, built to the designs of Antón and Enrique Egas, and is best known for its late mediaeval and later paintings, including works by El Greco.
Toledo. El Greco’s house and museum contains his finest series of apostles and View of Toledo. Explore the Jewish quarter, starting with a pair of former synagogues: Ibn Shoshan (Santa María la Blanca) from the 13th century retains its original stuccowork and wooden ceiling, while El Tránsito is a more lavish galleried synagogue financed by Samuel Levi in the 1360s. San Juan de los Reyes is the breathtakingly ambitious Franciscan monastery constructed under Ferdinand and Isabella. Free afternoon, or optional visits with lecturer to some of Toledo’s more lesser-visited sites, including the tapestry museum.
Illescas. El Greco spent two years in the undistinguished town of Illescas and the Hospital de la Caridad contains five of his works. Fly to Heathrow (British Airways) arriving at c. 6.00pm.
Gijs van Hensbergen
Art historian and author specialising in Spain and the USA. His books include The Sagrada Familia (2017), Gaudí, In the Kitchens of Castile and Guernica and he has published in the Burlington Magazine and Wall Street Journal. He read languages at Utrecht University and Art History at the Courtauld, and undertook postgraduate studies in American art of the 1960s. He has worked in England, the USA and Spain as exhibitions organiser, TV researcher and critic and is a Fellow of the Cañada Blanch Centre for Contemporary Spanish Studies at the LSE. Twitter: @GvanHensbergen | Website: gijsvanhensbergen.com
Price, per person
Two sharing: £2,790 or £2,620 without flights. Single occupancy: £3,250 or £3,080 without flights.
By train: London – Paris – Barcelona – Madrid: c. 14 hours. Contact us for more information.
Flights (economy class) with Iberia Airlines (Airbus 321/320); travel by private coach; hotel accommodation as described below; breakfasts and 5 dinners with wine, water, coffee; all admissions; all tips; all taxes; the services of the lecturer and tour manager.
NH Collection Palacio de Tepa, Madrid: a small and excellently located 5-star hotel. Rooms are comfortable and décor is contemporary. Hotel Fontecruz, Toledo: 4-star hotel in a converted palace in the Jewish Quarter with smart rooms. Single rooms are doubles for sole use.
The tour involves a lot of walking and standing in museums (which can be more tiring than moving around) and town centres where coach access is restricted. Many streets are narrow, steep and unevenly paved. A good level of fitness is essential. Average distance by coach per day: 20 miles.
Between 10 and 22 participants.
Before booking, please refer to the FCDO website to ensure you are happy with the travel advice for the destination(s) you are visiting.