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The walls of the Roman ampitheatre
Aerial view of Verona's Roman ampitheatre
Verona in Summer
The Castelvecchio, a graceful medieval castle and fortified bridge
Verona, the Arena, late 18th-century copper engraving

Verona Opera - lyric spectacle in the Veneto

5 days from
A$7,360
Book today with a deposit from A$1,104
19th - 23rd August 2027
Book Now

Tour highlights

  • Three performances in the incomparable setting of a Roman amphitheatre, the most famous of open-air venues.
  • The much-anticipated return of ballet to the Arena after 34 years, with a new production of Prokofiev’s 'Romeo and Juliet'.
  • Accommodation in a 4-star hotel in the historic centre within walking distance of the operas – though there is the option of a minibus.

The first magic moment comes well before the conductor raises his baton. Unless you have led a team onto the pitch at Wembley or won the New Hampshire primaries, you are unlikely to have experienced anything quite like the wall of heady high spirits which hits you as you emerge from the entrance tunnel into the arena. 

Filling the vast ellipse of the almost 2,000-year-old Roman amphitheatre are 14,000 happy people, bubbling with joyous expectation of the spectacle to follow. Even the most dour of dusty-hearted opera purists cannot help but be uplifted.

Then the floodlights go down, the chaotic chatter quietens to a reverential whisper, and the enveloping dusk is pierced only by flickering candle flames as uncountable as the stars above. Magic again; for these special moments the Verona Festival remains
without rival.

The list of unique assets continues. There is the inestimable advantage of the stage and auditorium, one of the largest of ancient amphitheatres which, though built for rather less refined spectacles (‘arena’ is Latin for sand, used in quantity to mop up the consequences of lacerations inflicted on animals and gladiators) provides miraculously sympathetic acoustics. The elliptical form also seems to instil a sense which can best be described as resembling an embrace, bonding the audience however distant or disparate the individual members might be.

Then there is the benefit of being at the heart of one of the most beautiful of Italian cities. Verona is crammed with magnificent architecture and dazzlingly picturesque streets and squares. Surprisingly, the city seems scarcely deflected from a typically Italian dedication to living well and stylishly by the annual influx of festival visitors. 

Enough of the spectacle, what of the music? Most performances reach high standards, with patches of stunning singing. For the (largely Italian) casts, to perform at Verona is still a special event. The younger singers know that they will be judged by more agents, casting directors and peers in one performance than usually would see them in a season.

All tickets are premium-category cushioned seats in the central stalls. 


Itinerary

Fly at c. 8.30am from London Heathrow to Venice (British Airways). Drive to Verona where all four nights are spent.

Take an introductory walk in Verona, passing through the beautiful streets and squares at the heart of the city, and visit the Romanesque church of San Fermo. In the afternoon, visit the church of San Zeno, a major Romanesque building with a Mantegna altarpiece. The performance in the Arena this evening is Romeo & Juliet (Prokofiev). 

Another art history walk leads to the well-preserved Roman theatre, then crosses the River Adige to the Romanesque cathedral. Alternatively, there are bus and train services offering the opportunity to see more of the region, perhaps Lake Garda or Venice. The opera in the Arena this evening is Nabucco (Verdi).

Visit the church of Sant’Anastasia with its Pisanello frescoes, and the spectacular medieval tombs of the ruling della Scala family. Lunch is at a privately owned villa in the countryside (by special arrangement). There is some free time before the final opera of the tour. Aida (Verdi).

Visit the Castelvecchio, a graceful medieval castle and fortified bridge now housing an excellent art museum. Fly from Aeroporto Marco Polo Venice, arriving London Heathrow c. 3.45pm.

Email me a printable itinerary

Expert speaker

Dr Bruno Bower

(FRSA, FHEA) is a musicologist, oboist, composer, and music editor, with research specialisms in Victorian print culture and operetta. He has written and presented on subjects as diverse as Gilbert and Sullivan, John Cage, and Victorian polymaths, and he is the General Editor for critical editions of music by Peter Gellhorn and Norman O’Neill. He currently teaches at the Guildhall School of Music and Drama, and runs adult courses in classical music and opera for Imperial College London and for a range of private institutions across London.

More tours led by Dr Bruno Bower
Dr Bruno Bower

Practicalities

Two sharing: A$8,030 or A$7,360 without flights. Single occupancy: A$9,100 or A$8,430 without flights.

Travel by private coach; hotel accommodation; breakfasts; 1 lunch and 4 dinners with wine, water, coffee; all admissions; all tips; all taxes; local guide services; musicologist and tour manager.

Music: Tickets to 3 performances are included, costing c. £770.

Hotel Indigo Verona: an elegant boutique hotel in a historic building, combining contemporary design with a central location close to the Arena. Single rooms are doubles for sole use.

To participate fully in the itinerary, a fair amount of walking is involved. It is often very hot in Italy at this time of year. Average distance by coach per day: 18 miles.

Are you fit enough to join the tour?

Between 10 and 22 participants.

Before booking, please refer to Smartraveller to ensure you are happy with the travel advice for the destination(s) you are visiting. As a British company we follow the advice of the UK Foreign Commonwealth and Development Office.

Dates & prices

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2027

Date

Speaker

Price

Date:

19th - 23rd August 2027

Speaker:

Dr Bruno Bower

Price:

from A$7,360

(Based on two sharing)
Book Now

Testimonials

“

'Verona Festival was on the bucket list - and the chance to be educated about Verona as well as attend the opera was too good a chance to miss.;

”
“

The music was spectacular – an amazing experience.

”

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