Andalucía is Spain’s most fascinating and varied region. Varied geographically: stretching southwards from the Sierra Morena to the Mediterranean, it encompasses the permanent snow of the Sierra Nevada as well as the sun-scorched interior.
And varied culturally: here it is possible to see great art and architecture of both Islamic and Christian traditions side by side – even, at Córdoba, one within the other. For Spain is unique in Western Europe in having been conquered by an Islamic power. The Moors first crossed from Africa in ad 711, and in the south of the country they stayed for nearly eight centuries. The Moorish civilization of the cities of Andalucía was one of the most sophisticated of the Middle Ages.
There are also tantalising glimpses of the preceding Visigothic kingdom, and remains of the still earlier Roman occupation – the province of Baetica was one of the most highly favoured in the Roman Empire. Later, both Jews and gypsies made their influence felt, but overwhelmingly the dominant contribution to man-made Andalucian heritage has been created by and for unwavering adherents to Catholicism. The Christian religion does not get much more intense than in southern Spain, and its artistic manifestations rarely more spiritually charged.
The unification of Spain which was ensured by the marriage in 1469 of the ‘Catholic Kings’, Ferdinand and Isabella, ushered in the period when Spain became the dominant power in Europe. This also coincided with the discovery of the Americas. The cities of the south, particularly Seville, were the immediate beneficiaries of the subsequent colonisation and inflow of huge quantities of bullion and of boundless opportunities for trade and wealth creation.
The result was a boom in building and a cultural renaissance, a Golden Age which lasted into the eighteenth century, long after the economy had cooled and real Spanish power had waned. The poverty and torpor of subsequent centuries allowed much of the beauty of the glory days to survive to the present time, when a revival of prosperity has enabled extensive restoration and proper care of the immense artistic patrimony.
Fly at c. 9.20am from London Gatwick to Málaga (British Airways). Arrive in time for an introductory walk and lecture in the hotel. Overnight in Málaga.
Málaga. Begin at Picasso’s birthplace, which houses a small collection of his belongings. The Picasso Museum is magnificent, both the 16th-century building and the collection, which places emphasis on his earlier works. The Carmen Thyssen museum has a fine collection of old masters and 19th-century Spanish painting. Drive to Granada in the late afternoon for the first of three nights.
Granada. The 13th-century Arab palaces of the Alhambra ride high above the city. They are often reckoned to be the greatest expression of Moorish art in Spain, with exquisite decoration and a succession of intimate courtyards. Adjacent are the 16th-century Palace of Charles V and the Generalife, summer palace of the sultans, with gardens and fountains.
Granada. Morning walk through the Albaycín, the oldest quarter in town, including El Bañuelo (Arab baths). Climb up to San Nicolás from where there are fine views of the Alhambra. In the late afternoon visit the Cathedral and Royal Chapel which retains Isabel of Castile’s personal collection of Flemish, Spanish and Italian paintings.
Baeza, Úbeda. Drive to Baeza, once a prosperous and important town and now a provincial backwater of quiet charm set among olive groves stretching to the horizon. It has a 16th-century cathedral by outstanding regional architect Andrés de Vandelvira and many grand houses of an alluring light-coloured stone. In Úbeda walk to the handsome Plaza Vázquez de Molina, flanked by elegant palaces including Vandelvira’s Casa de las Cadenas and the present day parador. The church of El Salvador was designed by Diego de Siloé in 1536. Continue to Córdoba for the first of three nights.
Córdoba. From the middle of the 8th century Córdoba was the capital of Islamic Spain and became the richest city in Europe until its capitulation to the Reconquistadors in 1236. La Mezquita (mosque) is one of the most magnificent of Muslim sites, for some the greatest building of mediaeval Europe. It contains within it the 16th-century cathedral. In the afternoon drive out to the excavations of Medina Azahara, with remains of a huge and luxurious 10th-century palace complex.
Córdoba. Morning visit to the Archaeological Museum, housed in brand new galleries and a Renaissance mansion, with a fine collection of Roman and Arab pieces. Visit the Alcázar, mediaeval with earlier architectural remains (and good Roman mosaics), and the narrow streets of the old Jewish quarter, including the 14th-century synagogue. The Fine Arts Museum (optional visit), with Plateresque façade and one delightful ceiling, houses some good Spanish paintings, and the Museo Julio Romero de Torres (optional visit), the former residence of the Cordoban painter, contains a collection of his works. Free afternoon in Córdoba.
Ecija, Seville. The many church towers of Ecija are visible from afar across the surrounding plain. Of the numerous Baroque mansions see the Palacio de Peñaflor and Palacio del Marqués de Benameji, and visit the Gothic-Mudéjar church of Santiago. Drive to Seville for the first of three nights.
Seville. Walk to the church and hospital of the Caridad, Seville’s most striking 17th-century building, with paintings by Murillo and Valdés Leal. The cathedral is one of the largest Gothic churches anywhere (‘Let us build a cathedral so immense that everyone...will take us for madmen’). The Capilla Mayor, treasury and sanctuary are of particular interest. Free afternoon.
Seville. The Alcázar, the fortified royal palace, is one of Spain’s greatest buildings; built by Moorish architects for Castilian kings, it consists of a sequence of apartments and magnificent reception rooms around courtyards and gardens. Walk through the Barrio de Santa Cruz, a maze of whitewashed alleys and flower-filled patios, to the Casa de Pilatos, the best of the Mudéjar style palaces, with patios and azulejos. Afternoon at the Fine Arts Museum, the best in Spain after the Prado.
Fly from Málaga to London Gatwick arriving c. 2.50pm.
Dr Philippa Joseph
Following a successful career in academic publishing in the humanities, Philippa was reviews editor on the magazine History Today for five years. She is now an independent lecturer and researcher, a tutor in art history at the Oxford University Department for Continuing Education, and an occasional lecturer for other organizations, such as the V&A. Philippa’s research interests look broadly at the many societies and cultures that have made Andalucía, Sicily, and the rest of the Mediterranean basin, and their rich and diverse architectural and artistic legacies.
Price, per person
Two sharing: £3,640 or £3,480 without flights. Single occupancy: £4,330 or £4,170 without flights.
Air travel (Euro Traveller) with British Airways (Airbus A319); private coach; accommodation as described below; breakfasts, 1 lunch and 7 dinners with water, wine or beer, soft drinks and tea or coffee; all admissions; all tips for waiters, drivers and guides; all taxes; the services of the lecturer, tour manager and local guides.
Hotel Molina Lario, Málaga: functional 4-star in the centre. AC Palacio de Santa Paula, Granada: comfortable and contemporary hotel in the centre, comparable to a 4-star. NH Amistad, Córdoba: 4-star in an 18th-century mansion, a short walk from the mosque. Hotel Alfonso XIII, Seville: centrally located 5-star hotel, an iconic cultural landmark commissioned by the King of Spain in 1929. Single rooms are doubles for sole use except in Seville where they are Deluxe Queen rooms.
This is a lengthy tour with four hotels, a lot of walking and a fair amount of coach travel. You need to be fit. Walking is often on uneven streets and uphill. Average distance by coach per day: 33 miles.
Between 10 and 22 participants.
Before booking, please refer to the FCO website to ensure you are happy with the travel advice for the destination(s) you are visiting: www.fco.gov.uk.
'Excellent itinerary which was well thought out and integrated. I enjoyed the trip immensely.'
'The tour far out did any expectations I had!'
'The lecturer was excellent.'